Cultural Farming Bibliography

- welcome to the books in my study -


Adorno, Theodor. (1951). Minima Moralia: Reflections from a damaged life. London: Verso.

Adorno, T. & Horkheimer, M. (1993). Dialectic of enlightenment. New York: Continuum.

Adorno, Theodor. (1994). The stars are down. London: Routledge.

Adorno, et al. (2007). Adorno, Benjamin, Block, Brecht, Lukacs. London: Verso

Agnew, Spiro. (2007). Television News Coverage: Online Speech Bank.

Ailes, Roger. (1988). You are the message: Getting what you want by being who you are. New York: Doubleday / Currency

Albers, Josef. (1963). Interaction of color. New Haven: Yale University Press.

Albrecht, & Lupton, & Holt. (2000). Design culture now: National design triennial. Princeton: Architectural Press.

Alexander, Bryant K. (2005). Performing ethnography: The reenacting and inciting of culture. In N. Denzin, & Y. Lincoln (Eds.), The SAGE Handbook of Qualitative Research (pp.411-441). New York: Sage.

Allen, R, & Turvey, M. (eds.). (2003). Camera obscura, camera lucida: Essays in honor of Annette Michelson. Amsterdam: Amsterdam University Press.

Anderson, Bonnie M. (2004). News flash: Journalism, infotainment, and the bottom-line business of broadcast news. Hoboken, NJ: Jossey-Bass.

Anderson, M., & Halpin, M. (Eds.). (2000). Potlatch at Gitsegukla: William Beynon’s 1945 field notes. Vancouver: UBC Press.

Anheier, H., & Isar, Y. R. (Eds.). (2008). The culture economy. Cultures and globalization series 2. London: Sage.

Antoine-Dunn, J., & Quigley, P. (Eds.). (2004). The montage principle: Eisenstein in new cultural and critical contexts. Amsterdam: Rodopi.

Appadurai, Arjun. (2001). Globalization. Durham, NC: Duke University Press.

Arendt, Hannah. (Ed.). (1968). Walter Benjamin: Illuminations (1st ed.). New York: Harcourt Brace & World.

Arendt, Hanna. (1969). On Violence. Orlando: Harcourt Books.

Arnheim, Rudolf. (1966). Image and Thought. In G. Kepes (Ed.), Sign Image Symbol (pp. 62-77). New York: George Braziller.

Arnheim, Rudolf. (1969). Visual thinking. Berkeley: University of California Press.

Arnheim, Rudolf. (1977). The dynamics of architectural form. Berkeley: University of California Press.

Artaud, Antonin. (1958). Theatre and its double. New York: Grove Press.

Askew, K., & Wilk, R. (Eds.). (2002). The anthropology of media: A reader. Malden, MA: Blackwell Publishing.

Auletta, Ken. (2003). Backstory: Inside the business of news. New York: Penguin Press.

Aumont, Jaques. (1987). Montage Eisenstein. Bloomington: Indiana University Press.

Austin, J.L.. (1965). How to do things with words. Cambridge, AM: Harvard University Press.


Banks, M. & Morphy, H. (1997). Rethinking Visual Anthropology, New Haven: Yale University Press.

Barbash, I. & Taylor, L. (1997). Cross-cultural filmaking: A handbook for making documentary and ethnographic films and videos. Berkeley: University of California Press.

Barnard, Malcolm. (2001). Approaches to understanding visual culture. New York: Palgrave.

Barnard, Malcolm. (2005). Graphic design as communication. London: Routledge

Barnhurst, K. and Nerone, J. (2000). The form of news: A history. New York: Guilford Press.

Barnouw, Eric. (1970). A history of broadcasting in the United States. New York: Oxford University Press.

Barnouw, Erik. (1993). Documentary: A history of non-fiction film. New York: Oxford University Press.

Barry, Ann Marie Seward. (1997). Visual intelligence: Perception, image, and manipulation in visual communication. SUNY Press.

Barthes, Rolland. (1980). Camera Lucida: Reflections on photography. New York: Hill and Wang.

Barthes, Rolland. (2004). The language of fashion: Reflections on photography. Oxford: Berg.

Bartschere, T., & Cover, R. (Eds.). (2011). Switching codes: Thinking through digital technology in the humanities and the arts. Chicago: University of Chicago Press.

Bataille, Georges. (1985). Visions of excess: Selected writings. Minneapolis, University of Minneapolis.

Bataille, Georges. (1991). The acursed share, Vol. 1. New York, Zone Books.

Bataille, Georges. (1994). On Nietzche. St. Paul, MN, Paragon House.

Baudrillard, Jean. (1983). Simulations. New York: Semiotext(e).

Baudrillard, Jean. (1987). The ecstasy of communication. New York: Semiotext(e).

Baudrillard, Jean. (1990). Fatal strategies. Los Angeles: Semiotext(e).

Baudrillard, Jean. (1992). The illusion of the end. Stanford: Stanford University Press.

Baudrillard, Jean. (1993). Symbolic exchange and death. London: Sage.

Baudrillard, Jean. (1994). Simulacra and simulation. Ann Arbor: University of Michigan Press.

Baudrillard, Jean. (2001). Seduction. Montreal: New World Press.

Baudrillard, Jean. (2007). The intelligence of evil or the lucidity pact. Oxford: Berg.

Baudrillard, J. & Guillaume, M. (2008). Radical alterity. Los Angeles: Semiotext(e).

Baudrillard, Jean. (2010). Carnival and cannibal. London: Seagull Books.

Bauman, Zygmunt. (2001). Consuming life. Cambridge, UK: Polity

Bay, Howard. (1974). Stage design. New York: Drama Book Specialists.

Beasley-Murray, Tim. (2007). Mikhail Bakhtin and Walter Benjamin: Experience and form. New York, Palgrave Macmillan

Becker, H.S., & McCall, M.M. (Eds.). (1990). Symbolic interaction and cultural studies. Chicago: University of Chicago Press.

Bechman, K., & Weissberg, L. (Eds.). (2013). On writing with photography. Minneapolis: University of Minnesota Press.

Beer, Stafford. (1974). Designing freedom. Toronto: House of Anansi PRess.

Bel Geddes, Norman. (1932). Horizon. New York: Dover.

Benjamin, Walter. (1977). Understanding Brecht. London: Verso Editions.

Benjamin, Walter. (1996). Walter Benjamin, Selected Writings, Volume 1, 1913-1927. (Edited by  Bullock & Jennings). Cambridge, MA: The Belknap Press of Harvard University.

Benjamin, Walter. (1998). The origins of German tragic drama. London: Verso.

Benjamin, Walter. (1999). Walter Benjamin, Selected Writings, Volume 2, Part One, 1927-1930. (Edited by  Jennings, Eiland & Smith). Cambridge, MA: The Belknap Press of Harvard University.

Benjamin, Walter. (1999). Walter Benjamin, Selected Writings, Volume 2, Part Two, 1931-1934. (Edited by  Jennings, Eiland & Smith). Cambridge, MA: The Belknap Press of Harvard University.

Benjamin, Walter. (1999). The Arcades Project. (Translated by Eiland & McLaughlin). Cambridge, MA: The Belknap Press of Harvard University.

Benjamin, Walter. (2002). Walter Benjamin, Selected Writings, Volume 3, 1935-1938. (Edited by  Eiland & Jennings). Cambridge, MA: The Belknap Press of Harvard University.

Benjamin, Walter. (2003). Walter Benjamin, Selected Writings, Volume 4, 1938-1940. (Edited by  Eiland & Jennings). Cambridge, MA: The Belknap Press of Harvard University.

Benjamin, Walter. (2006). Berlin childhood around 1900. Cambridge, MA: The Belknap Press of Harvard University Press.

Benjamin, Walter. (2014). Radio Benjamin. (Edited by Lecia Rosenthal). New York: Verso.

Bennett, T., Grossberg, L., & Morris, M. (2005). New keywords: A revised vocabulary of culture and society. Malden, MA: Blackwell Publishing.

Berger, John. (1995). Ways of seeing. New York: Penguin Books.

Berger, Arthur Asa. (2000). Media communication research methods: An introduction to qualitative and quantitative approaches. London: Sage.

Berry, D., & Theobald. J. (eds.). (2006). Radical mass media criticism. Montreal: Black Rose Books.

Bertrand, I., & Hughes, P. (2005). Media research methods. New York: Palgrave

Best, S., & Kellner, D. (2001). The postmodern adventure: Science, technology, and cultural studies at the third millennium. London; New York: Guilford Press.

Bial, Henry. (2004). The performance studies reader. London: Routledge.

Biedermann, Hans. (1994). Dictionary of symbols,  Cultural icons and the meanings behind them. New York: Meridian.

Bignell, Jonathon. (2002). Media semiotics: An introduction. New York: Manchester University Press.

Bräuchler, B & Postill, J. (eds). (2010). Theorizing media and practice, Vol 4 Anthropology of Media. New York: Berghahn Books.

Boellstorff, Tom. (2008). Coming of age in Second Life: An anthropologist explores the virtually human. Princeton: Princeton University Press

Bolt, Barbara. (2004). Art beyond representation: The performative power of the image. London: I.B. Tauris.

Bolter, J. D., & Grusin, R. (1999). Remediation: Understanding new media. Cambridge, MA: MIT Press.

Boorstin, Daniel. (1992). The image: A guide to pseudo-events in America. New York: Vintage Books.

Borgmann, Albert. (1963). Crossing the postmodern divide. Chicago: University of Chicago Press.

Bordwell. David. (2005). The cinema of Eisenstein. New York: Routledge.

Bordwell. David & Thompson, K. (2008). Film art: An Introduction. 8th Edition. New York: McGraw Hill.

Bourdieu, Pierre. (1980). The logic of practice. Stanford: Stanford University Press.

Bourdieu, Pierre. (1998). On television. New York: The New Press.

Bourdieu, Pierre. (2004). Science of science and reflexivity. Chicago: University of Chicago Press.

Brady, Erika. (1999). A spiral way: How the phonograph changed ethnography. Jackson, MS: University Press of Mississippi.

Brecht, Bertolt. (1965). The Messingkauf Dialogues. Translated by John Willet. London: Methuen Drama.

Brecht, Bertolt. (1998). War Primer. Translated by John Willet. London: Libris

Brennen, B. & Hardt, H., (Eds.). (1999). Picturing the past: Media, history, and photography. Urbana, IL: University of Illinois Press.

Breton, André. (1965). Surrealism and painting. Boston: MFA Publications.

Brill, Dorothee. (2010). Shock and the senseless in Dada and Fluxus. Hanover: Dartmouth University Press.

Brinkley, Joel. (1997). Defining vision: How broadcasters lured the government  into inciting a revolution in television. New York: Harcourt Brace.

Brook, J., & Boal, I. (Eds.). (1995). Resisting the virtual life: The culture and politics of information. San Francisco: City Lights.

Brotchie, A. (2011). Alfred Jarry: A pataphysical life. Cambridge, MA: The MIT Press.

Brown, Stephen Gilbert, & Dobrin, S. (2004). Ethnography unbound: From theory shock to critical praxis. Albany, NY: State University of New York Press.

Bruner, Jerome. (1996). The culture of education. Cambridge, MA: Harvard University Press.

Buck-Morss, Susan. (1977). The origin of negative dialectics: Theodor W. Adorno, Walter Benjamin and the Frankfurt Institute. New York: Free Press.

Buck-Morss, Susan. (1991). The dialectics of seeing: Walter Benjamin and the Arcades Project. Cambridge, MA: The MIT Press.

Burgess, J. & Green, J. (2009). YouTube: Online video and participatory culture. Malden, MA: Polity.

Burian, Jarka. (1971) The scenography of Josef Svoboda. Middleton, CT: Wesleyan University Press.

Bulgakowa, Oksana. (1998) Sergei Eisenstein: A biography. Berlin: Potemkin Press.

Burke, Kenneth. (1969). A rhetoric of motives. Berkeley: University of California Press.

Burnett, Ron. (1995). Cultures of vision: Images, media and the imaginary. Bloomington, IN: Indiana University Press.

Buse, P., Hirschkop, K., McCracken, S. & Taithe, B. (2005). Benjamin’s arcades: An unguided tour. Manchester: University of Manchester.

Butler, Jeremy G.. (2002). Television: Critical methods and application. Mahwah, NJ: Lawrence Earlbaum Plublishers.

Butler, Judith. (1997). Excitable speech: A politics of the performative. New York: Routledge.

Butler, Judith. (2005). Giving account of oneself. New York: Fordham University Press.

Byrne, David. (2006). Arboretum.  San Francisco: McSweeney’s Books.


Calabrese, Andrew. (2005). The trade in TV news. In J. Wasko (Ed.), A companion to television (pp. 270-288). Malden, MA: Blackwell Publishing.

Carey, James W. (1985). "Putting the world at peril: A conversation with James W. Carey," in Journalism History 12(2), Summer.

Carey, James W. (1988). Media, myths, and narratives: Television and the press. Newbury Park, CA: Sage Publications

Carey, James W. (1992). Communication as culture: Essays on media and culture. New York: Routledge.

Carson, D., & Blackwell, L. (1996). David Carson: 2nd sight. New York: Universe Publishing

Carspecken, Phil F. (1996). Critical ethnography in educational research: A theoretical and practical guide. New York: Routledge.

Chomsky, Noam. (2002). Media control: The spectacular achievements of propaganda, (2nd Ed.) St. Paul, MN: Seven Stories Press.

Christie, I., & Elliot, D. (Eds.). (1988). Eisenstein at Ninety. Oxford: Museum of Modern Art, Oxford.

Christie, I., & Taylor, R. (Eds.). (1993). Eisenstein rediscovered. London: Routledge.

Clifford, J., & Marcus, G. (1986). Writing culture: The poetics and politics of ethnography. Berkely, CA: University of California Press.

Clifford, James. (1988). Predicament of culture: Twentieth-century ethnography, literature, and art. Cambridge, MA: Harvard University Press.

Collier, J. & Collier, M. Roderick. (1986), Visual anthropology: Photography as research method. Albuquerque: University of New Mexico Press.

Connor, Steven. (1997). Postmodern culture: An introduction to theories of the contemporary, (2nd Ed.) Cambridge, MA: Blackwell.

Conquergood, Dwight. (1991). Rethinking ethnography: Towards a critical cultural politics. Communication Monographs, 58 , 179-194.

Conquergood, Dwight. (2004). Performance studies: Interventions and radical research. In H. Bial (Ed.), The Performance studies reader (pp. 311-322). New York: Routledge.

Constantinopoulos, Vivian. (Ed.). (2000). 10 x 10: 10 Critics, 100 Architects. New York: Phaidon Press.

Coover, Roderick. (2003), Cultures in webs (DVD). Watertown, MA: Eastgate Systems.

Coover, Roderick. (2007). From Vérité to Virtual (DVD). Watertown, MA: Documentary Educational Resources.

Couldry, Nick. (2003). Media rituals: A critical approach, London: Routledge.

Coupland, Douglas. (2009). Marshall McLuhan. Toronto: Penguin.

Crary, Jonathon. (1990). Techniques of the observer: On vision and modernity in the nineteenth century. Cambridge, MA: MIT Press.

Crary, Jonathon. (1999). Suspensions of perception: Attention, spectacle, and modern culture. Cambridge, MA: MIT Press.


Debord, Guy. (1995). The society of the spectacle. New York: Zone Books.

Del Giando, Jason. (2008). Rhetoric for radicals: A handbook for 21st Century activists. Gabriola Island, BC, CN: New Society Publishers

Deleuze, Gilles. (1986). The movement-image. Minneapolis: University of Minnesota Press.

Demitz, Peter. (1962). Brecht: A collection of critical essays. Englewood Cliffs, NJ: Prentice/Hall.

Demetz, Peter. (1978). Walter Benjamin: Reflections (1st ed.). New York: Harcourt Brace Jovanovich.

Deming, C. (2005). Locating the televisual in golden age television. In J. Wasko (Ed.), A companion to television (pp. 126-140). Malden, MA: Blackwell Publishing.

Dentith, Simon. (1995). Bakhtinan thought. London: Routledge.

Dentith, Simon. (2000). Parody: The new critical idiom. London: Routledge.

Denzin, Norman. (1991). Images of postmoderns society: Social theory and contemporary cinema. Thousand Oaks, CA: Sage Publications.

Denzin, Norman. (1995). The cinematic society: The voyeur's gaze. Thousand Oaks, CA: Sage Publications.

Denzin, Norman. (1997). Interpretive ethnography: Ethnographic practices for the 21st Century. Thousand Oaks, CA: Sage Publications.

Denzin, Norman. (2003). Performance ethnography: Critical pedagogy and the politics of culture. Thousand Oaks, CA: Sage Publications.

Denzin, N. & Lincoln, Y. S. (Eds.). (2005). The SAGE handbook of qualitative research. New York: Sage.

Denzin, N. & Giardina, M. (Eds.). (2008). Qualitative inquiry and the politics of evidence. Walnut Creek, CA: Left Coast Press.

Der Derian, James. (2001). Virtuous war: Mapping the military-industrial-media-entertainment network. Boulder, CO: Westview Press.

Dewey, John. (1934). Art as experience. New York: Perigee.

Dewey, John. (1997). How we think. Mineola, NY: Dover.

Dewey, John. (1998). “The act of expression”. In D. H. Richter (Ed.), The critical reader: Classic texts and contemporary trends. New York: Bedford Book.

Dikovitskaya, Margaret. (2006). Visual culture: The study of the visual after the cultural turn. Cambridge, MA: MIT Press

Djerassi, Carl. (2011). Foreplay: Hannah Arendt, the two Adornos, and Walter Benjamin. Madison: University of Wisconsin Press.

Donahue, Hugh Carter. (1989). The battle to control broadcast news. Cambridge, MA: MIT Press.

Dondis, Donis A. (1973). A primer of visual literacy. Cambridge, MA: MIT Press.

Durhan, M. G. & Kellner, D. (Eds.). (2006). Media and cultural studies: Keyworks. Malden, MA: Blackwell Publishing.


Eagleton, Terry. (1981). Walter Benjamin or towards a revolutionary criticism. New York: Routledge.

Eisenstein, Sergei. (1942). The film sense. New York: Harcourt Brace Jovanovich.

Eisenstein, Sergei. (1949). Film form; Essays in film theory (J. Leyda, Trans.). New York: Harcourt Brace.

Eisenstein, Sergei. (2010a). Selected works, Volume I, Writings, 1922-34 (Richard Taylor, Ed.). New York: I.B. Tauris.

Eisenstein, Sergei. (2010b). Selected works, Volume II, Towards a theory of montage (Glenny & Taylor, Eds.). New York: I.B. Tauris.

Eisenstein, Sergei. (2010a). Selected works, Volume III, Writings, 1934-47 (Richard Taylor, Ed.). New York: I.B. Tauris.

Elkins, James. (2003). Visual studies: A skeptical introduction. Brooklyn: Verso Books.

Elkins, James. (Ed.). (2007). Visual literacy. New York: Routledge.

Elkins, James. (Ed.). (2008). Photography Theory. New York: Routledge.

Elkins, James. (Ed.). (2009). Artists with PhDs: On the new Doctoral degree in studio art. Washington, DC: New Academia Publishing.

Eisenberg, E.M., Goodal, H.L.(1993).  Organizational communication: Balancing creativity and constraint. New York: St. Martin's Press.

Emerson, Caryl. (1997). The first one hundred years of Mikhail Bakhtin. Princeton: Princeton University Press.

Esslin, Martin. (2001). The theatre of the absurd. New York: Vintage Books.

Evans, David. (Ed.). (2009). Appropriation: Documents of Contemporary Art. Cambridge, MA: The MIT Press.

Evans, W. & Santaolalla, I. (Eds.). (2004). Luis Buñuel: New Readings. London: British Film Institute.

Ewen, Frederic. (1992). Bertolt Brecht: His life, his art, his times. New York: Citadel Press.

Ewen, Stuart. (1988). All consuming images: The politics of style in contemporary culture. New York: Basic Books.

Ewen, Stuart. (1996). PR! : A social history of spin (1st ed.). New York: Basic Books.


Feenberg, A., & Leiss, W. (Eds.). (2007). The essential Marcuse. Boston: Beacon Press.\

Feinstein, Hermine. (1998). Reading images : Meaning and metaphor. Antioch, CA: Metapress.

Fallows, James. (1996). Breaking the news: How the media undermine American democracy. New York: Vintage Books.

Feld, Steven. (Ed.). (2003). Ciné-Ethnography: Jean Rouch. Minneapolis: University of Minnesota.

Fenton, Thomas. (2005). Bad News: The decline of reporting, the business of news, and the danger to us all (1st ed.). New York, NY: Regan Books.

Ferris, David, S. (Ed.). (2004). The Cambridge companion to Walter Benjamin. Cambridge: Cambridge University Press.

Fischer, B., & Fox, T. (Eds.). (2005). A companion to the works of Gotthold Ephraim Lessing. Rochester, NY: Camden House.

Fiske, John. (1987). Television culture. London: New York: Methuen.

Fiske, John, & Hartley, J. (1978). Reading Television.  New York: Routledge.

Fletcher, Alan. (2003). The art of looking sideways. London: Phaidon.

Fitzgerald, Brian. (2007). Open content licensing: Cultivating the Creative Commons. Sidney: Sidney University Press.

Florida, Richard. (2003). The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life.  New York:Basic Books

Forgacs, David. (Ed.). (2000). The Antonio Gramsci reader: Selected writings 1916-1935. New York: New York University Press.

Foucault, Michel. (1972). The archeology of knowledge and discourse of language. New York: Pantheon Books.

Foucault, Michel. (Ed.). (1994). Ethics: Subjectivity and truth. New York: The New Press.

Foucault, Michel. (2002). The order of things. London: Routledge Classic.

Frampton, C., Kinsman, G., & Thompson, A. K. (Eds.). (2006). Sociology for changing the world. Halifax: Fernwood Publishing.

Freire, Paulo. (2007). Pedagogy of the oppressed. New York: Continuum.

Freire, Paulo. (1997). Pedagogy of freedom: Ethics, democracy, and civic courage. Lanham, MD: Rowman & Littlefield.


Gauntlett, D., & Horsley, R. (2000). Web.Studies: Rewiring media studies for the digital age. London: Arnold.

Giannetti, L., & Leach, J. (2002). Understanding movies. Toronto: Pearson Prentice Hall.

Giddens, Anthony. (1971). Capitalism & modern social theory: An analysis of the writings of Marx, Durkeim and Max Weber. Cambridge: Cambridge University Press.

Gilloch, Graeme. (2002). Walter Benjamin: Critical Constellations. Cambridge: Polity.

Ginsburg, Faye, et al. (Eds). (2002). Media worlds: Anthropology on new terrain. Berkeley: University of California Press.

Giltin, Todd. (Ed.). (1986). Watching television. New York: Pantheon Books.

Gitlin, Todd. (2002). Media unlimited: How the torrent of images and sounds overwhelms our lives (1st ed.). New York: Metropolitan Books.

Giltin, Todd. (2003). Letters to a young activist. New York: Basic Books.

Giroux, Henry. A. (2000). Impure acts: The practical politics of cultural studies. New York: Routledge.

Glasgow, University of. (2005). Glasgow University Media Group [Electronic Version]. Retrieved 9 September 2006.

Goffman, Irving. (1959). The presentation of self in everyday life. New York: Anchor Books.

Goldwater, R. & Treves, M. (Eds.). (1945). Artists on art: From the XIV to the XX century. New York: Pantheon Books.

Goleman, Daniel. (1995). Emotional intelligence. New York: Bantam Books.

Goodall, H. L. (2000). Writing the new ethnography. Lanham, MD: AltaMira Press.

Goodman, Steven. (2003). Teaching youth media: A critical guide to literacy, video production & social change. New York: Teachers College Press.

Gordon, W. Terrence. (2010). McLuhan: A guide for the perplexed. New York: Continuum.

Grimshaw, Anna. (2001). The ethnographer's eye: Ways of seeing in modern anthropology. Cambridge: Cambridge University Press.

Grimshaw, A. & Ravetz, A.. (Ed.). (2005). Visualizing anthropology. Bristol, UK: Intellect Books.

Grimshaw, A. & Ravetz, A.. (2009). Observational cinema: Anthropology, film, and the exploration of social life. Bloomington: Indiana University Press.

Gross, L., Katz, J., & Ruby, J. (1988). Image ethics: The moral of subjects in photographs, film, and television.  New York: Oxford Press.

Gross, L., Katz, J., & Ruby, J. (Eds.). (2003). Image ethics in the digital age. Minneapolis: University of Minnesota Press.

Grossberg, Lawence. (2010). Cultural studies in the future tense. Durham, NC: Duke University Press.

Grossberg, L., Wartella, E., & Whitney, D. C. (1998). Media making: Mass media in a popular culture. Thousand Oaks, CA: Sage Publications.

Grosswiler, Paul. (1998). Method is the message: Rethinking McLuhan through critical theory. Montreal: Black Rose Books.

Gumbrecht, H. U., & Marrinan, M., (Eds.). (2003). Mapping Benjamin: The work of art in the digital age. Palo Alto, CA: Stanford University Press.


Habermas, Jurgen (2006). Time of transitions. Cambridge: Polity.

Hall, Stuart. (1973). “Encoding and encoding in the television discourse.” Paper presented at the Council of Europe Colloquy on "Training in the critical reading of televisual language", University of Leicester.

Hall, Stuart. (1997). Representation: Cultural representations and signifying practices. London: Sage.

Handa, Carolyn. (2004). Visual rhetoric in a digital world: A critical sourcebook. Boston: Bedford/St. Martins.

Hansen. Miriam B. (2010). Cinema and experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno. Berkeley: University of California Press.

Harper, Douglas. (2003). The cultural study of work. Lanham, MD: Rowman & Littlefield Publishers.

Hardt. Hanno. (1992). Critical communication studies. London: Routledge.

Harraway, Donna J. (1991). Simians, cyborgs, and women: The reinvention of nature. New York: Routledge.

Harraway, Donna J. (2004). The Haraway reader. New York: Routledge.

Hartley, John. (1982). Understanding news. London: Methuen & Co.

Hartley, John. (1992). The politics of pictures. London: Routledge.

Hartley, John. (2002). Communication, cultural and media studies: The key concepts. London: Routledge.

Hartley, John. (Ed.) (2005). Creative industries. Malden, MA: Blackwell Publishing.

Hartley, John. (2008). Television truths. Malden, MA: Blackwell Publishing.

Heath, Joseph & Potter, A. (2004). The rebel sell: Why the culture can't be jammed. Toronto: Harper.

Heatherfield, Adrian. (Ed.). (2004). Live: Art and performance. New York:Routledge.

Hebdige, Dick. (1979). Subculture: The meaning of style. London: Routledge.

Hebdige, Dick. (1988). Hiding in the light. London: Routledge.

Hedges, Chris. (2009). The end of literacy and the triumph of spectacle, Toronto: Vintage Canada.

Heider, Karl. (2006) Ethnographic film. Austin: University of Texas Press.

Helfand, Jessica. (2001). Screen: Essays on graphic design, new media, and visual culture. New York: Chronicle Books.

Hesmondhalgh, David & Baker, S. (2011). Creative labour: Media work in three cultural industries. New York: Routledge.

Hine, Christine. (2000). Virtual ethnography. London; Sage

Hobbs, Renee. (2010). Copyright clarity: How fair use supports digital learning. Thousand Oaks, CA: Corwin.

Hockings, Paul. (Ed.). 2003. Principles of visual anthropology. Berlin: Mouton de Gruyter

Hocks, M. E., & Kendrick, M. R., (Eds.). (2003). Eloquent images: Word and image in the age of new media. Cambridge, MA: MIT Press.

Hoffman, Donald. (1998). Visual intelligence: How we create what we see. New York: Norton

Hoggart, Richard. (1957). The uses of literacy. London: Penguin Books

Howells, Richard. (2003). Visual culture. Malden, MA: Backwell Press.

Hughes, Robert. (1980). The shock of the new: The hundred-year history of modern art - its rise, its dazzling achievement, its fall. New York: Alfred A. Knoff.

Huizinga, Johan. (1950). Homo Ludens: A study of the play element in culture. Boston: Beacon Press.


Innis, Harold A.. (2008). The bias of communication. (2nd Ed.). Toronto: University of Toronto Press.

Iyengar, & Shanto, & Kinder. (1987). News that matters. Chicago: University of Chicago Press.


Jay, Martin. (1973). The dialectical imagination: A history of the Frankfurt School and the Institute of Social Research,1923-1950. Berkley: University of California Press.

Jay, Martin. (1993). Downcast eyes: The denigration of vision in twentieth-century French thought. Berkley: University of California Press.

Jenkins, Henry. (1992). Textual poachers: Television fans & participatory culture. New York: Routledge.

Jenkins, Henry. (2006). Convergence culture: Where old and new media collide. New York: New York University Press.

Jenks, Chris. (1995). Visual culture. London: Routledge.

Jhally, Sut. (1990). The codes of advertising. New York: Routledge.

Jodidio, Philip (Ed.). (2002). Architecture Now!. Koln:Taschen.

Jones, Alex S.. (2009). Losing the news: The future of the news that feeds Democracy. Oxford: Oxford University Press.

Jones, Amelia. (2003). The feminist and visual culture reader. New York: Routledge.

Jones, A., & Stephenson, A. (Eds.). (1999). Performing the body / Performing the text. New York: Routledge.

Jones, Robert Edmond. (1941). The Dramatic imagination. New York: Theatre Arts Books.

Joseph, Sister Miriam. (2002). The Trivium: The liberal arts of logic, grammar, and rhetoric. Philadelphia: Paul Dry Books.


Kearney, Richard. (1988). The wake of imagination. London: Routledge.

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resident of Canada, experimenting with new forms of critical media ethnography in Cultural Farming..

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